The Medium, the Message, the Drama of TV’s Q & A:
Ginia Bellafante, former NYT Style reporter suddenly turned theatre critic, has a telling second paragraph to her review of Frost/Nixon:
The journalist and his adversary faced each other on a white shag rug in moiré armchairs the color of an unwashed taxi. The effect of the arrangement is startling now, and it prompts us to consider just how deep into the crevices of American life the big Nixonian mess seemed to cast its dust. The whole louche, chaotic, regrettable aesthetic of the 1970s is on display, and right along with it, the visual logic implies, the culprit of all the disorder.
Could have been torn from the pages of Domino, couldn't it? You can take the reporter out of the Style section...