Marat/Sade - Theater - Review - New York Times:
The chain-link enclosure occupies most of the room. It is filled with naked men. They struggle to put on their clothes, muttering to themselves, barely kept under control by three tough guards. The audience is seated all around the central enclosure; those at the sides are trapped between it and two holding pens at either side of the room.
As the evening continues, the men erupt, hurling themselves against the mesh, inches from the onlookers’ faces and backs. There is spit, and realistic-looking vomit and feces. The hoses that the guards use to restore order spatter the spectators with antiseptic-smelling water.
Watching the new production of “Marat/Sade” that opened on Thursday night at the Classical Theater of Harlem was a harrowing experience, a reminder that theater is not always a safe place.