Anil Dash: Your April Fool's Day Joke Continues to Suck:
Having been blogging for a few years, I've developed a few annual traditions. This one's a favorite: Warning you off of lame April Fool's jokes on the web. Every year, I get called a curmudgeon, or lambasted for having no sense of humor. And every year, the jokes online get lamer and lamer.
I'd mentioned that Your April Fool's Day Joke Sucks two years ago, revisited the idea last year, and have been proud to have been joined in my assessment by luminaries such as Joshua Schachter and Andy Baio in taking a critical eye at this sort of thing.
The exception, of course, is if you're doing something truly hysterical or on a magnificent scale. But I fear we won't run into too many of those.
Monday, March 31, 2008
Playbill News: Daisey's The Moon Is a Dead World Featured in Soho Rep Readings
Playbill News: Daisey's The Moon Is a Dead World Featured in Soho Rep Readings:
The tenth season of Soho Rep's Writer/Director Lab Readings will commence with monologist Mike Daisey's The Moon Is a Dead World April 7.
Each year Soho Rep commissions six playwrights to collaborate with directors to create an original project. The teams work for nine months on their projects, which are then presented in a series of free readings to the public in April and May.
The 2008-2009 schedule includes theatrical activist and monologist Daisey's The Moon Is a Dead World, under the direction of Maria Goyanes, April 7.
The tenth season of Soho Rep's Writer/Director Lab Readings will commence with monologist Mike Daisey's The Moon Is a Dead World April 7.
Each year Soho Rep commissions six playwrights to collaborate with directors to create an original project. The teams work for nine months on their projects, which are then presented in a series of free readings to the public in April and May.
The 2008-2009 schedule includes theatrical activist and monologist Daisey's The Moon Is a Dead World, under the direction of Maria Goyanes, April 7.
Cash-strapped Clinton fails to pay bills - Kenneth P. Vogel - Politico.com
Cash-strapped Clinton fails to pay bills - Kenneth P. Vogel - Politico.com:
The New York senator’s presidential campaign ended February with $33 million in the bank, according to a report filed last week with the Federal Election Commission, but only $11 million of that can be spent on her battle with Obama.
The rest can be spent only in the general election, if she makes it that far, and must be returned if she doesn’t. If she had paid off the $8.7 million in unpaid bills she reported as debt and had not loaned her campaign $5 million, she would have been nearly $3 million in the red at the end of February.
By contrast, if you subtract Obama’s $625,000 in debts and his general-election-only money from his total cash on hand at the end of last month, he’d still be left with $31 million.
The New York senator’s presidential campaign ended February with $33 million in the bank, according to a report filed last week with the Federal Election Commission, but only $11 million of that can be spent on her battle with Obama.
The rest can be spent only in the general election, if she makes it that far, and must be returned if she doesn’t. If she had paid off the $8.7 million in unpaid bills she reported as debt and had not loaned her campaign $5 million, she would have been nearly $3 million in the red at the end of February.
By contrast, if you subtract Obama’s $625,000 in debts and his general-election-only money from his total cash on hand at the end of last month, he’d still be left with $31 million.
The News Business: Out of Print: Reporting & Essays: The New Yorker
The News Business: Out of Print: Reporting & Essays: The New Yorker:
Newspaper companies are losing advertisers, readers, market value, and, in some cases, their sense of mission at a pace that would have been barely imaginable just four years ago. Bill Keller, the executive editor of the Times, said recently in a speech in London, “At places where editors and publishers gather, the mood these days is funereal. Editors ask one another, ‘How are you?,’ in that sober tone one employs with friends who have just emerged from rehab or a messy divorce.” Keller’s speech appeared on the Web site of its sponsor, the Guardian, under the headline “NOT DEAD YET.”
Perhaps not, but trends in circulation and advertising––the rise of the Internet, which has made the daily newspaper look slow and unresponsive; the advent of Craigslist, which is wiping out classified advertising––have created a palpable sense of doom. Independent, publicly traded American newspapers have lost forty-two per cent of their market value in the past three years, according to the media entrepreneur Alan Mutter.
Newspaper companies are losing advertisers, readers, market value, and, in some cases, their sense of mission at a pace that would have been barely imaginable just four years ago. Bill Keller, the executive editor of the Times, said recently in a speech in London, “At places where editors and publishers gather, the mood these days is funereal. Editors ask one another, ‘How are you?,’ in that sober tone one employs with friends who have just emerged from rehab or a messy divorce.” Keller’s speech appeared on the Web site of its sponsor, the Guardian, under the headline “NOT DEAD YET.”
Perhaps not, but trends in circulation and advertising––the rise of the Internet, which has made the daily newspaper look slow and unresponsive; the advent of Craigslist, which is wiping out classified advertising––have created a palpable sense of doom. Independent, publicly traded American newspapers have lost forty-two per cent of their market value in the past three years, according to the media entrepreneur Alan Mutter.
When a Brain Scientist Suffers a Stroke - Well - Tara Parker-Pope - Health - New York Times Blog
When a Brain Scientist Suffers a Stroke - Well - Tara Parker-Pope - Health - New York Times Blog:
On a December morning in 1996, Dr. Taylor woke up with searing pain behind her left eye, the beginnings of a hemorrhagic stroke. As the left side of her brain shut down, she began to feel disconnected from her body and entered an almost-euphoric like state. It took her a while to make sense of the experience, but as her right arm became paralyzed, it dawned on her that she was having a stroke.
“How many brain scientists have the opportunity to study their own brain from the inside out?,'’ she said. “In the course of four hours, I watched my brain completely deteriorate in its ability to process all information. On the morning of the hemorrhage, I could not walk, talk, read, write or recall any of my life.'’
Her account of the experience of stroke is vivid, and at one point, she recalled, she felt like someone had taken a remote control and hit the mute button. “I was shocked to find myself inside a silent mind,'’ she said.
What is so surprising about Dr. Taylor’s story is that she experienced a sort of euphoria as she was left with only right-brain functions. She lost her sense of self, but she also shed the stress of her life and, as she puts it, “37 years of emotional baggage.'’
On a December morning in 1996, Dr. Taylor woke up with searing pain behind her left eye, the beginnings of a hemorrhagic stroke. As the left side of her brain shut down, she began to feel disconnected from her body and entered an almost-euphoric like state. It took her a while to make sense of the experience, but as her right arm became paralyzed, it dawned on her that she was having a stroke.
“How many brain scientists have the opportunity to study their own brain from the inside out?,'’ she said. “In the course of four hours, I watched my brain completely deteriorate in its ability to process all information. On the morning of the hemorrhage, I could not walk, talk, read, write or recall any of my life.'’
Her account of the experience of stroke is vivid, and at one point, she recalled, she felt like someone had taken a remote control and hit the mute button. “I was shocked to find myself inside a silent mind,'’ she said.
What is so surprising about Dr. Taylor’s story is that she experienced a sort of euphoria as she was left with only right-brain functions. She lost her sense of self, but she also shed the stress of her life and, as she puts it, “37 years of emotional baggage.'’
Mike Daisey: 'Monopoly!' - Los Angeles Times - calendarlive.com
Mike Daisey: 'Monopoly!' - Los Angeles Times - calendarlive.com:
IN his 12 years as a monologuist, Mike Daisey has drawn comparisons to the likes of David Sedaris and the late Spalding Gray for his often humorous, often controversial, always thought-provoking solo performances.
But he's attracted some more creative associations as well, such as "a cross between Noam Chomsky and Jack Black," "Jackie Gleason meets Kafka" (his favorite) and . . .
" . . . the love child of Chris Farley and Susan Sontag," says Daisey with a laugh. "You know they're trying to say something nice, but oh, God, it sounds horrible!"
Southern California can make its own comparisons starting Friday, when Daisey presents his one-man show "Monopoly!" at the Orange County Performing Arts Center. Touching upon inventor Nikola Tesla, Microsoft, Wal-Mart, the titular board game and his own experiences, Daisey weaves many shades of corporate rule into a vibrant extemporaneous narrative.
IN his 12 years as a monologuist, Mike Daisey has drawn comparisons to the likes of David Sedaris and the late Spalding Gray for his often humorous, often controversial, always thought-provoking solo performances.
But he's attracted some more creative associations as well, such as "a cross between Noam Chomsky and Jack Black," "Jackie Gleason meets Kafka" (his favorite) and . . .
" . . . the love child of Chris Farley and Susan Sontag," says Daisey with a laugh. "You know they're trying to say something nice, but oh, God, it sounds horrible!"
Southern California can make its own comparisons starting Friday, when Daisey presents his one-man show "Monopoly!" at the Orange County Performing Arts Center. Touching upon inventor Nikola Tesla, Microsoft, Wal-Mart, the titular board game and his own experiences, Daisey weaves many shades of corporate rule into a vibrant extemporaneous narrative.
Wednesday, March 26, 2008
WHEN REHEARSALS GO UNDERGROUND - New York Post
WHEN REHEARSALS GO UNDERGROUND - New York Post:
Since January, the empty vaults have been serving as rehearsal space for live theater productions, musical groups, writers and multimedia performers - all of whom find themselves plying their art in a neighborhood far more famous for commerce than culture.
"I didn't even notice the artists working in the building until one day I saw a guy in a leotard walking through the lobby," says Daniel Ghadamian, a partner at Capstone Equities, which purchased the landmark building last year.
While renovating and leasing the 37 above-ground floors, Capstone agreed to donate the vault space on a month-by-month basis to the Lower Manhattan Cultural Council's Swing Space program. The LMCC then offered the free rehearsal space to local artists, who have found themselves working in vast windowless tombs designed more for the security of currency than the comfort of creative souls.
Since January, the empty vaults have been serving as rehearsal space for live theater productions, musical groups, writers and multimedia performers - all of whom find themselves plying their art in a neighborhood far more famous for commerce than culture.
"I didn't even notice the artists working in the building until one day I saw a guy in a leotard walking through the lobby," says Daniel Ghadamian, a partner at Capstone Equities, which purchased the landmark building last year.
While renovating and leasing the 37 above-ground floors, Capstone agreed to donate the vault space on a month-by-month basis to the Lower Manhattan Cultural Council's Swing Space program. The LMCC then offered the free rehearsal space to local artists, who have found themselves working in vast windowless tombs designed more for the security of currency than the comfort of creative souls.
Why Old Technologies Are Still Kicking - New York Times
Why Old Technologies Are Still Kicking - New York Times:
IN 1991, Stewart Alsop, the editor of InfoWorld and a thoughtful observer of industry trends, predicted that the last mainframe computer would be unplugged by 1996. Last month, I.B.M. introduced the latest version of its mainframe, the aged yet remarkably resilient warhorse of computing.
Today, mainframe sales are a tiny fraction of the personal computer market. But with the mainframe facing extinction, I.B.M. retooled the technology, cut prices and revamped its strategy. A result is that mainframe technology — hardware, software and services — remains a large and lucrative business for I.B.M., and mainframes are still the back-office engines behind the world’s financial markets and much of global commerce.
The mainframe stands as a telling case in the larger story of survivor technologies and markets. The demise of the old technology is confidently predicted, and indeed it may lose ground to the insurgent, as mainframes did to the personal computer. But the old technology or business often finds a sustainable, profitable life. Television, for example, was supposed to kill radio, and movies, for that matter. Cars, trucks and planes spelled the death of railways. A current death-knell forecast is that the Web will kill print media.
What are the common traits of survivor technologies?
IN 1991, Stewart Alsop, the editor of InfoWorld and a thoughtful observer of industry trends, predicted that the last mainframe computer would be unplugged by 1996. Last month, I.B.M. introduced the latest version of its mainframe, the aged yet remarkably resilient warhorse of computing.
Today, mainframe sales are a tiny fraction of the personal computer market. But with the mainframe facing extinction, I.B.M. retooled the technology, cut prices and revamped its strategy. A result is that mainframe technology — hardware, software and services — remains a large and lucrative business for I.B.M., and mainframes are still the back-office engines behind the world’s financial markets and much of global commerce.
The mainframe stands as a telling case in the larger story of survivor technologies and markets. The demise of the old technology is confidently predicted, and indeed it may lose ground to the insurgent, as mainframes did to the personal computer. But the old technology or business often finds a sustainable, profitable life. Television, for example, was supposed to kill radio, and movies, for that matter. Cars, trucks and planes spelled the death of railways. A current death-knell forecast is that the Web will kill print media.
What are the common traits of survivor technologies?
Sequenza21/ » Metropolis Ensemble April Concert at NYC Times Center
Sequenza21/ » Metropolis Ensemble April Concert at NYC Times Center:
Metropolis Ensemble, New York’s premier professional chamber orchestra dedicated to emerging a new generation of composers and performers, springs into the new season with a one-night only concert of 20th century masterpieces at the Times Center (242 West 41st Street), Thursday, April 10th @ 8:00pm. Led by Artistic Director/Conductor Andrew Cyr, the concert is soaked by special guest artists including pianist Anna Polonsky who spearheads the world premiere of Piano Concerto by young composer Ryan Francis. Complementing the program is a dramatic series of three diverse modern works that reveal an unfolding vista of color and sensual imagery including Maurice Ravel’s Trois Poèmes de Stéphane Mallarmé and Esa-Pekka Salonen’s Five Images from Sappho with soprano Kiera Duffy, and Erik Satie’s Sports et Divertissements, 20 brilliant sketches in a newly commissioned arrangement by London-based composer David Bruce for chamber orchestra and narrator/spoken word artist Mike Daisey.
Metropolis Ensemble, New York’s premier professional chamber orchestra dedicated to emerging a new generation of composers and performers, springs into the new season with a one-night only concert of 20th century masterpieces at the Times Center (242 West 41st Street), Thursday, April 10th @ 8:00pm. Led by Artistic Director/Conductor Andrew Cyr, the concert is soaked by special guest artists including pianist Anna Polonsky who spearheads the world premiere of Piano Concerto by young composer Ryan Francis. Complementing the program is a dramatic series of three diverse modern works that reveal an unfolding vista of color and sensual imagery including Maurice Ravel’s Trois Poèmes de Stéphane Mallarmé and Esa-Pekka Salonen’s Five Images from Sappho with soprano Kiera Duffy, and Erik Satie’s Sports et Divertissements, 20 brilliant sketches in a newly commissioned arrangement by London-based composer David Bruce for chamber orchestra and narrator/spoken word artist Mike Daisey.
The Daily Dish | By Andrew Sullivan
The Daily Dish | By Andrew Sullivan:
Jeremiah Wright is now the moral equivalent of David Duke? The latest Clintonite ratchets up the Wright issue still further. However dim a view you take of some of Wright's rhetorical excesses, and I'm not defending them, to compare a man whose church has such a long history of social work, black self-help, outreach to people with HIV, and inclusion of gay people to a rank neo-Nazi is another step too far. Comparing the first potential black president's pastor to a man who represents some of the worst racism in America is also bound to impact African-Americans. If the Clintons keep this up, they will not only destroy Obama's chances in the fall, they may also make it very hard for black Democrats to vote for a Clinton again. Josh comments here. I think Clinton has decided to use race in the way that Republicans have for the past couple of decades, to play on white resentment of what are regarded as double-standards on race and to fuse the integrative, dignified campaign of Obama in the minds of some white ethnic Americans with demagoguic soundbites from Wright.
The goal is to win a huge margin in Pennsylvania and to use that as an appeal to the super-delegates that Obama cannot be elected in key swing states with white working class voters. If that won't work, Clinton will have done all she can to ensure Obama's defeat by McCain in the fall, which she will then use as vindication for another run in 2012.
Jeremiah Wright is now the moral equivalent of David Duke? The latest Clintonite ratchets up the Wright issue still further. However dim a view you take of some of Wright's rhetorical excesses, and I'm not defending them, to compare a man whose church has such a long history of social work, black self-help, outreach to people with HIV, and inclusion of gay people to a rank neo-Nazi is another step too far. Comparing the first potential black president's pastor to a man who represents some of the worst racism in America is also bound to impact African-Americans. If the Clintons keep this up, they will not only destroy Obama's chances in the fall, they may also make it very hard for black Democrats to vote for a Clinton again. Josh comments here. I think Clinton has decided to use race in the way that Republicans have for the past couple of decades, to play on white resentment of what are regarded as double-standards on race and to fuse the integrative, dignified campaign of Obama in the minds of some white ethnic Americans with demagoguic soundbites from Wright.
The goal is to win a huge margin in Pennsylvania and to use that as an appeal to the super-delegates that Obama cannot be elected in key swing states with white working class voters. If that won't work, Clinton will have done all she can to ensure Obama's defeat by McCain in the fall, which she will then use as vindication for another run in 2012.
For spam, it's interesting:
fi yuo cna raed tihs, yuo hvae a sgtrane mnid too. Cna yuo raed tihs? Olny 55 plepoe out of 100 can. i cdnuolt blveiee taht I cluod aulaclty uesdnatnrd waht I was rdanieg. The phaonmneal pweor of the hmuan mnid, aoccdrnig to a rscheearch at Cmabrigde Uinervtisy, it dseno't mtaetr in waht oerdr the ltteres in a wrod are, the olny iproamtnt tihng is taht the frsit and lsat ltteer be in the rghit pclae. The rset can be a taotl mses and you can sitll raed it whotuit a pboerlm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe. Azanmig huh? yaeh and I awlyas tghuhot slpeling was ipmorantt! if you can raed tihs forwrad it.
fi yuo cna raed tihs, yuo hvae a sgtrane mnid too. Cna yuo raed tihs? Olny 55 plepoe out of 100 can. i cdnuolt blveiee taht I cluod aulaclty uesdnatnrd waht I was rdanieg. The phaonmneal pweor of the hmuan mnid, aoccdrnig to a rscheearch at Cmabrigde Uinervtisy, it dseno't mtaetr in waht oerdr the ltteres in a wrod are, the olny iproamtnt tihng is taht the frsit and lsat ltteer be in the rghit pclae. The rset can be a taotl mses and you can sitll raed it whotuit a pboerlm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe. Azanmig huh? yaeh and I awlyas tghuhot slpeling was ipmorantt! if you can raed tihs forwrad it.
Tuesday, March 25, 2008
Airline Travelers’ Bill of Rights Overturned on Appeal. You Will Stay in Your Seat and Like It, Hear? -- Daily Intel -- New York News Blog -- New York Magazine
Airline Travelers’ Bill of Rights Overturned on Appeal. You Will Stay in Your Seat and Like It, Hear? -- Daily Intel -- New York News Blog -- New York Magazine:
We should all just go back to riding around on donkeys, honestly. A New York appellate court has rejected the state's right to penalize airlines for not giving enough fresh air or water to passengers stuck on the tarmac for more than three hours. Also rejected? Mandatory working restrooms and power. Does anyone remember the days when flying was glamorous and flight attendants had stylish lives everyone envied? Did anyone watch Catch Me If You Can with an anthropological curiosity appropriate to studying oh, say, the Mayans? Nowadays most people would rather test out their caskets than sit in the middle seat in coach.
We should all just go back to riding around on donkeys, honestly. A New York appellate court has rejected the state's right to penalize airlines for not giving enough fresh air or water to passengers stuck on the tarmac for more than three hours. Also rejected? Mandatory working restrooms and power. Does anyone remember the days when flying was glamorous and flight attendants had stylish lives everyone envied? Did anyone watch Catch Me If You Can with an anthropological curiosity appropriate to studying oh, say, the Mayans? Nowadays most people would rather test out their caskets than sit in the middle seat in coach.
Parabasis: Theater
Parabasis: More of the Corporatizing of the Nonprofit Model:
Mark Armstrong brings to our attention an interesting article by Charles McNulty which documents how Jack O'Brien was succeeded at the Old Globe by a CEO and (working underneath him) two artistic director. CEO/Executive Producer Spisto has final artistic say in programming at the Old Globe.
Mark writes:
The great dream of regional theater was that it was going to give artists the tools necessary to do their work and run their own businesses. But, when times get tough, the first things to go are always those pesky artists. First it was the repertory companies, then the resident directors and designers. Now the artistic directors are being moved aside or diminished, unless their commercial credentials are sufficient.
Mike Daisey discusses in How Theater Failed America the corporate model of theatrical governance and how the adoption of corporate values (constant growth over sustainability, downsizes and outsourcing of labor, etc) has hurt the regional theater movement. This is all of a piece with what Mark and Charles are talking about here, with the adoption of a CEO model of corporate governance.
Mark Armstrong brings to our attention an interesting article by Charles McNulty which documents how Jack O'Brien was succeeded at the Old Globe by a CEO and (working underneath him) two artistic director. CEO/Executive Producer Spisto has final artistic say in programming at the Old Globe.
Mark writes:
The great dream of regional theater was that it was going to give artists the tools necessary to do their work and run their own businesses. But, when times get tough, the first things to go are always those pesky artists. First it was the repertory companies, then the resident directors and designers. Now the artistic directors are being moved aside or diminished, unless their commercial credentials are sufficient.
Mike Daisey discusses in How Theater Failed America the corporate model of theatrical governance and how the adoption of corporate values (constant growth over sustainability, downsizes and outsourcing of labor, etc) has hurt the regional theater movement. This is all of a piece with what Mark and Charles are talking about here, with the adoption of a CEO model of corporate governance.
Pay What You Want (Theatreforte)
Pay What You Want (Theatreforte):
Available Light is opening Sheila Callaghan's Dead City here in Columbus in about 2 weeks. This show is a really big deal for us. Aside from being a beautiful play that we're all really excited about, it's also our first show to receive significant public funding, it has the largest cast we've put on stage, and it's in a space that's costing us about 3 times what we usually pay. (Frequent readers of this blog will remember that I am very ambivalent about that particular fact.)
However, instead responding by playing it safe on other fronts to compensate for the big risks we're taking, we've decided to try another big experiment. We're making all tickets to all shows for everyone all the time "Pay What You Want". That's right, just like Radiohead,Trent Reznor, Saul Williams, Paste Magazine, and a small crop of restaurants.
Available Light is opening Sheila Callaghan's Dead City here in Columbus in about 2 weeks. This show is a really big deal for us. Aside from being a beautiful play that we're all really excited about, it's also our first show to receive significant public funding, it has the largest cast we've put on stage, and it's in a space that's costing us about 3 times what we usually pay. (Frequent readers of this blog will remember that I am very ambivalent about that particular fact.)
However, instead responding by playing it safe on other fronts to compensate for the big risks we're taking, we've decided to try another big experiment. We're making all tickets to all shows for everyone all the time "Pay What You Want". That's right, just like Radiohead,Trent Reznor, Saul Williams, Paste Magazine, and a small crop of restaurants.
Slashdot | The Arthur C. Clarke Gamma Ray Burst
Slashdot | The Arthur C. Clarke Gamma Ray Burst:
Larry Sessions, a columnist for Earth & Sky, has suggested in his blog that the gamma-ray event whose radiation reached us a few hours before Arthur C. Clarke died, and which occurred 7.5 billion years ago, be named the Clarke Event. The outburst, whick produced enough visible light to render it a naked-eye object across half the universe, is officially designated GRB 080319B. What more fitting tribute to Clarke than to associate his name with the greatest bang since the big one? Sessions suggests writing to any astronomers, heads of physics departments, or planetarium operators you know and talking up the proposal.
Larry Sessions, a columnist for Earth & Sky, has suggested in his blog that the gamma-ray event whose radiation reached us a few hours before Arthur C. Clarke died, and which occurred 7.5 billion years ago, be named the Clarke Event. The outburst, whick produced enough visible light to render it a naked-eye object across half the universe, is officially designated GRB 080319B. What more fitting tribute to Clarke than to associate his name with the greatest bang since the big one? Sessions suggests writing to any astronomers, heads of physics departments, or planetarium operators you know and talking up the proposal.
What Microsoft can teach Apple about software updates | Ed Bott’s Microsoft Report | ZDNet.com
What Microsoft can teach Apple about software updates | Ed Bott’s Microsoft Report | ZDNet.com:
So I was stunned and angry when I saw Apple Software Update pop up on her PC last week. There were no updates for iTunes or QuickTime, the two Apple programs I installed for her. Instead, using the same mechanism that delivers security updates, Apple Software Update was offering Safari 3.1 for Windows, with the check box obligingly selected and the Install button awaiting her click.
For the record, I think Apple is dead wrong in the way it’s gone about using its iPod monopoly to expand its share in another market. Ironically, an excellent model for how this update program should work already exists. It’s called Windows Update, and it embodies all the principles that Apple should follow.
So I was stunned and angry when I saw Apple Software Update pop up on her PC last week. There were no updates for iTunes or QuickTime, the two Apple programs I installed for her. Instead, using the same mechanism that delivers security updates, Apple Software Update was offering Safari 3.1 for Windows, with the check box obligingly selected and the Install button awaiting her click.
For the record, I think Apple is dead wrong in the way it’s gone about using its iPod monopoly to expand its share in another market. Ironically, an excellent model for how this update program should work already exists. It’s called Windows Update, and it embodies all the principles that Apple should follow.
Monday, March 24, 2008
Pig bladder powder regrows human finger - Boing Boing
Pig bladder powder regrows human finger - Boing Boing:
A man cut off his finger tip while working on a model plane. His brother, a medical research scientist, sent him a vial containing powdered pig bladder and told him to sprinkle on the severed finger tip. It grew back -- "flesh, blood, vessels and nail" -- in four weeks.
That powder is a substance made from pig bladders called extracellular matrix. It is a mix of protein and connective tissue surgeons often use to repair tendons and it holds some of the secrets behind the emerging new science of regenerative medicine.
"It tells the body, start that process of tissue regrowth," said Badylak.
Badlayk is one of the many scientists who now believe every tissue in the body has cells which are capable of regeneration. All scientists have to do is find enough of those cells and "direct" them to grow.
A man cut off his finger tip while working on a model plane. His brother, a medical research scientist, sent him a vial containing powdered pig bladder and told him to sprinkle on the severed finger tip. It grew back -- "flesh, blood, vessels and nail" -- in four weeks.
That powder is a substance made from pig bladders called extracellular matrix. It is a mix of protein and connective tissue surgeons often use to repair tendons and it holds some of the secrets behind the emerging new science of regenerative medicine.
"It tells the body, start that process of tissue regrowth," said Badylak.
Badlayk is one of the many scientists who now believe every tissue in the body has cells which are capable of regeneration. All scientists have to do is find enough of those cells and "direct" them to grow.
Oregon man's property ransacked after Craigslist hoax | Local News | kgw.com | News for Oregon and SW Washington
Oregon man's property ransacked after Craigslist hoax:
A pair of hoax ads on Craigslist cost an Oregon man much of what he owned.
The ads popped up Saturday afternoon, saying the owner of a Jacksonville home was forced to leave the area suddenly and his belongings, including a horse, were free for the taking, said Jackson County sheriff's Detective Sgt. Colin Fagan.
But Robert Salisbury had no plans to leave. The independent contractor was at Emigrant Lake when he got a call from a woman who had stopped by his house to claim his horse.
On his way home he stopped a truck loaded down with his work ladders, lawn mower and weed eater.
"I informed them I was the owner, but they refused to give the stuff back," Salisbury said. "They showed me the Craigslist printout and told me they had the right to do what they did."
The driver sped away after rebuking Salisbury. On his way home he spotted other cars filled with his belongings.
Once home he was greeted by close to 30 people rummaging through his barn and front porch.
The trespassers, armed with printouts of the ad, tried to brush him off. "They honestly thought that because it appeared on the Internet it was true," Salisbury said. "It boggles the mind."
A pair of hoax ads on Craigslist cost an Oregon man much of what he owned.
The ads popped up Saturday afternoon, saying the owner of a Jacksonville home was forced to leave the area suddenly and his belongings, including a horse, were free for the taking, said Jackson County sheriff's Detective Sgt. Colin Fagan.
But Robert Salisbury had no plans to leave. The independent contractor was at Emigrant Lake when he got a call from a woman who had stopped by his house to claim his horse.
On his way home he stopped a truck loaded down with his work ladders, lawn mower and weed eater.
"I informed them I was the owner, but they refused to give the stuff back," Salisbury said. "They showed me the Craigslist printout and told me they had the right to do what they did."
The driver sped away after rebuking Salisbury. On his way home he spotted other cars filled with his belongings.
Once home he was greeted by close to 30 people rummaging through his barn and front porch.
The trespassers, armed with printouts of the ad, tried to brush him off. "They honestly thought that because it appeared on the Internet it was true," Salisbury said. "It boggles the mind."
Technical Direction Tidbits: Thoughts from USITT
Technical Direction Tidbits: Thoughts from USITT:
It seemed like a lot of the people I talked to at the conference was interested in getting out of the traditional theatre. The reasons all were very similar, and not surprisingly. They centered on time and money. Student loans are costly, and after all the education (and theatre / entertainment technology is an over-educated field) you need a certain level of job to be able to pay back loans. Every theatre wants an MFA applicant – but no-one wants to pay the necessary salary, particularly for a recent grad. The jobs out there that do pay well enough to live on tend to have people in the position that aren’t going anywhere soon – but, I think in about 10 years there are going to be a wealth of great positions opening up – from all of these people retiring. Theatre used to be a place where you paid your dues, worked for practically nothing and worked your way up. Sure some went to school, and thus tended to enter in a higher position. But then more and more went to school, then you had to get an MFA to distinguish yourself. Soon, the MFA will be only the starting point. And by that point you’ve invested way too much money to take a low paying job. Thus people are looking at commercial scene shops, selling products, cruise ships, and academia so they can pay their loans. The few positions in LORT theatres that pay well they can’t get because they don’t have enough practical experience. They have paid some dues, but not in the places they historically needed to pay dues. So it’s an odd situation.
One of the things it means is that theatre is going to have to pay better to retain the best individuals in the theatre. This is something that I have already seen to a certain extent. And, truthfully, I have been able to make a decent living in theatre. Even in some of the smaller places I have worked, because often perks such as subsidized housing leave money in my pocket that wouldn’t have been otherwise. But, on the flip side, is the fact that there will always be people who are motivated by the art, who believe that the lack of pay is okay, and that are willing to make the sacrifice to pay their dues. So when you have 1 person who won’t work for x amount of money, you still have someone else who will –albeit, probably less qualified. But that also goes back to the point that every TD doesn’t have to have an MFA.
It seemed like a lot of the people I talked to at the conference was interested in getting out of the traditional theatre. The reasons all were very similar, and not surprisingly. They centered on time and money. Student loans are costly, and after all the education (and theatre / entertainment technology is an over-educated field) you need a certain level of job to be able to pay back loans. Every theatre wants an MFA applicant – but no-one wants to pay the necessary salary, particularly for a recent grad. The jobs out there that do pay well enough to live on tend to have people in the position that aren’t going anywhere soon – but, I think in about 10 years there are going to be a wealth of great positions opening up – from all of these people retiring. Theatre used to be a place where you paid your dues, worked for practically nothing and worked your way up. Sure some went to school, and thus tended to enter in a higher position. But then more and more went to school, then you had to get an MFA to distinguish yourself. Soon, the MFA will be only the starting point. And by that point you’ve invested way too much money to take a low paying job. Thus people are looking at commercial scene shops, selling products, cruise ships, and academia so they can pay their loans. The few positions in LORT theatres that pay well they can’t get because they don’t have enough practical experience. They have paid some dues, but not in the places they historically needed to pay dues. So it’s an odd situation.
One of the things it means is that theatre is going to have to pay better to retain the best individuals in the theatre. This is something that I have already seen to a certain extent. And, truthfully, I have been able to make a decent living in theatre. Even in some of the smaller places I have worked, because often perks such as subsidized housing leave money in my pocket that wouldn’t have been otherwise. But, on the flip side, is the fact that there will always be people who are motivated by the art, who believe that the lack of pay is okay, and that are willing to make the sacrifice to pay their dues. So when you have 1 person who won’t work for x amount of money, you still have someone else who will –albeit, probably less qualified. But that also goes back to the point that every TD doesn’t have to have an MFA.
News Interview
News Interview:
Greg Palast likes to read in the loo. He says he wrote his book with that habit in mind—so that any casual bathroom reader could pick it up, skim around and still glean some bit of knowledge. And so, wanting to experience the shiny new hardback with the truest of intentions, I took his advice and settled down a few weeks ago, volume in hand, ready to flip casually through its pages to discover one of today’s most honest forms of truth to power. It did not disappoint.
Who is Greg Palast? If you were playing a round of “Jeopardy,” it would be the answer to the square for $1,000: “The most relevant investigative journalist of our time.” At least that’s what some of us think.
The more straightforward answer is this: Greg Palast grew up in a Los Angeles house pivoted between a landfill and a power plant; studied economics at the University of Chicago under the guidance of Milton Friedman; worked in New Mexico two decades ago as an investigator in the Attorney General’s Office; went on to become a reporter for BBC television, Guardian, Observer and Harper’s Magazine; is the author of three books, including a New York Times bestseller; and exposed the stories of the 2000 Florida election debacle and the oil company frauds that let to the grounding of the Exxon Valdez, among others.
Greg Palast likes to read in the loo. He says he wrote his book with that habit in mind—so that any casual bathroom reader could pick it up, skim around and still glean some bit of knowledge. And so, wanting to experience the shiny new hardback with the truest of intentions, I took his advice and settled down a few weeks ago, volume in hand, ready to flip casually through its pages to discover one of today’s most honest forms of truth to power. It did not disappoint.
Who is Greg Palast? If you were playing a round of “Jeopardy,” it would be the answer to the square for $1,000: “The most relevant investigative journalist of our time.” At least that’s what some of us think.
The more straightforward answer is this: Greg Palast grew up in a Los Angeles house pivoted between a landfill and a power plant; studied economics at the University of Chicago under the guidance of Milton Friedman; worked in New Mexico two decades ago as an investigator in the Attorney General’s Office; went on to become a reporter for BBC television, Guardian, Observer and Harper’s Magazine; is the author of three books, including a New York Times bestseller; and exposed the stories of the 2000 Florida election debacle and the oil company frauds that let to the grounding of the Exxon Valdez, among others.
Vanishing Varnish: Kids Invent Vanishing Nail Polish to Dodge School Rules
Vanishing Varnish: Kids Invent Vanishing Nail Polish to Dodge School Rules:
What would you do if your school's ban on makeup meant you couldn't show off your nail art? You'd get your chemistry set out and invent a new UV-reactive polish that was near-invisible indoors, but was bright and colorful when you're outside lessons, wouldn't you? Well, you would if you were a group of students in Salford in the UK.
What would you do if your school's ban on makeup meant you couldn't show off your nail art? You'd get your chemistry set out and invent a new UV-reactive polish that was near-invisible indoors, but was bright and colorful when you're outside lessons, wouldn't you? Well, you would if you were a group of students in Salford in the UK.
Even at Megastores, Hagglers Find No Price Is Set in Stone - New York Times
Even at Megastores, Hagglers Find No Price Is Set in Stone - New York Times:
Shoppers are discovering an upside to the down economy. They are getting price breaks by reviving an age-old retail strategy: haggling.
A bargaining culture once confined largely to car showrooms and jewelry stores is taking root in major stores like Best Buy, Circuit City and Home Depot, as well as mom-and-pop operations.
Savvy consumers, empowered by the Internet and encouraged by a slowing economy, are finding that they can dicker on prices, not just on clearance items or big-ticket products like televisions but also on lower-cost goods like cameras, audio speakers, couches, rugs and even clothing.
The change is not particularly overt, and most store policies on bargaining are informal. Some major retailers, however, are quietly telling their salespeople that negotiating is acceptable.
Shoppers are discovering an upside to the down economy. They are getting price breaks by reviving an age-old retail strategy: haggling.
A bargaining culture once confined largely to car showrooms and jewelry stores is taking root in major stores like Best Buy, Circuit City and Home Depot, as well as mom-and-pop operations.
Savvy consumers, empowered by the Internet and encouraged by a slowing economy, are finding that they can dicker on prices, not just on clearance items or big-ticket products like televisions but also on lower-cost goods like cameras, audio speakers, couches, rugs and even clothing.
The change is not particularly overt, and most store policies on bargaining are informal. Some major retailers, however, are quietly telling their salespeople that negotiating is acceptable.
Sunday, March 23, 2008
In the age of ebooks, you don't own your library - Boing Boing
In the age of ebooks, you don't own your library - Boing Boing:
Reporting on a Science and Technology Law Review article about copyright and ebooks, Gizmodo's Matt Buchanan has written a great piece on the way that hardware ebook readers (Kindle, Sony Reader) run on stores that only license -- instead of selling -- books to you, even though they encourage you to think of the books as a purchase, saying things like "buy it now for the Kindle!" Books that you own can be loaned, re-sold and given away, and the ongoing health of the book trade and reading itself relies on this -- how many of your favorite writers did you discover at a used bookstore, or when a friend passed you a copy of a book?
It's funny that in the name of protecting "intellectual property," big media companies are willing to do such violence to the idea of real property -- arguing that since everything we own, from our t-shirts to our cars to our ebooks, embody someone's copyright, patent and trademark, that we're basically just tenant farmers, living on the land of our gracious masters who've seen fit to give us a lease on our homes.
Reporting on a Science and Technology Law Review article about copyright and ebooks, Gizmodo's Matt Buchanan has written a great piece on the way that hardware ebook readers (Kindle, Sony Reader) run on stores that only license -- instead of selling -- books to you, even though they encourage you to think of the books as a purchase, saying things like "buy it now for the Kindle!" Books that you own can be loaned, re-sold and given away, and the ongoing health of the book trade and reading itself relies on this -- how many of your favorite writers did you discover at a used bookstore, or when a friend passed you a copy of a book?
It's funny that in the name of protecting "intellectual property," big media companies are willing to do such violence to the idea of real property -- arguing that since everything we own, from our t-shirts to our cars to our ebooks, embody someone's copyright, patent and trademark, that we're basically just tenant farmers, living on the land of our gracious masters who've seen fit to give us a lease on our homes.
Story behind the story: The Clinton myth - Jim VandeHei and Mike Allen - Politico.com
Story behind the story: The Clinton myth - Jim VandeHei and Mike Allen - Politico.com:
Unless Clinton is able to at least win the primary popular vote — which also would take nothing less than an electoral miracle — and use that achievement to pressure superdelegates, she has only one scenario for victory. An African-American opponent and his backers would be told that, even though he won the contest with voters, the prize is going to someone else.
People who think that scenario is even remotely likely are living on another planet.
As it happens, many people inside Clinton’s campaign live right here on Earth. One important Clinton adviser estimated to Politico privately that she has no more than a 10 percent chance of winning her race against Barack Obama, an appraisal that was echoed by other operatives.
In other words: The notion of the Democratic contest being a dramatic cliffhanger is a game of make-believe.
Story Behind the Story
Why news gets covered the way it does
Politico’s top editors draw on their experience at the nation's largest news organizations to pull back the curtain on coverage decisions and the media mindset.
The real question is why so many people are playing. The answer has more to do with media psychology than with practical politics.
Unless Clinton is able to at least win the primary popular vote — which also would take nothing less than an electoral miracle — and use that achievement to pressure superdelegates, she has only one scenario for victory. An African-American opponent and his backers would be told that, even though he won the contest with voters, the prize is going to someone else.
People who think that scenario is even remotely likely are living on another planet.
As it happens, many people inside Clinton’s campaign live right here on Earth. One important Clinton adviser estimated to Politico privately that she has no more than a 10 percent chance of winning her race against Barack Obama, an appraisal that was echoed by other operatives.
In other words: The notion of the Democratic contest being a dramatic cliffhanger is a game of make-believe.
Story Behind the Story
Why news gets covered the way it does
Politico’s top editors draw on their experience at the nation's largest news organizations to pull back the curtain on coverage decisions and the media mindset.
The real question is why so many people are playing. The answer has more to do with media psychology than with practical politics.
Abu Ghraib: Online Only: The New Yorker
Abu Ghraib: Online Only: The New Yorker:
This week in the magazine, Philip Gourevitch and Errol Morris write about Sabrina Harman, a U.S. Army specialist who took photographs at Abu Ghraib and was convicted by court-martial for her conduct there. Harman sat for nine hours of interviews with Morris for his movie “Standard Operating Procedure.” Here are excerpts from those interviews and a clip from the film, as well as video of Morris and Gourevitch from the 2007 New Yorker Festival, and photographs of Harman and of the abuses at Abu Ghraib.
This week in the magazine, Philip Gourevitch and Errol Morris write about Sabrina Harman, a U.S. Army specialist who took photographs at Abu Ghraib and was convicted by court-martial for her conduct there. Harman sat for nine hours of interviews with Morris for his movie “Standard Operating Procedure.” Here are excerpts from those interviews and a clip from the film, as well as video of Morris and Gourevitch from the 2007 New Yorker Festival, and photographs of Harman and of the abuses at Abu Ghraib.
Selling Lauren Conrad - WSJ.com
Selling Lauren Conrad - WSJ.com:
To keep themselves in the spotlight, Ms. Conrad and her contemporaries are willing citizens of a tabloid world. During a recent breakfast interview at an outdoor café in Los Angeles, Ms. Conrad said she suspected a photographer was taking pictures of her from across the street. She declined to move to an inside table. Instead, she looked left and right before taking quick bites of her egg whites. "No one eats pretty," she said.
Less than three hours later, Ms. Conrad sent her breakfast companion an email with a photo attached of her enjoying her eggs. She had found the photo after a Google search. "Haha they always get it!" she wrote.
To keep themselves in the spotlight, Ms. Conrad and her contemporaries are willing citizens of a tabloid world. During a recent breakfast interview at an outdoor café in Los Angeles, Ms. Conrad said she suspected a photographer was taking pictures of her from across the street. She declined to move to an inside table. Instead, she looked left and right before taking quick bites of her egg whites. "No one eats pretty," she said.
Less than three hours later, Ms. Conrad sent her breakfast companion an email with a photo attached of her enjoying her eggs. She had found the photo after a Google search. "Haha they always get it!" she wrote.
Absurd Entries in the OED: An Introduction To Ammon Shea : OUPblog
Absurd Entries in the OED: An Introduction To Ammon Shea : OUPblog:
In the category of Blatant Disregard, the past editors of the OED had seemingly come to the conclusion that since they sat around all day reading about words, accruing a monstrous knowledge of vocabulary, their readers must have done the same, and therefore it was not necessary to talk down to anyone with the definition. For instance trondhjemite is defined as ‘Any leucocratic tonalite, esp. one in which the plagioclase is oligoclase’. I have my doubts as to whether anyone has ever thought to themselves ‘I wonder what trondhjemite means?’ But if someone did, and went to look it up in the OED, it seems unlikely that this definition would clear things up much.
In the category of Blatant Disregard, the past editors of the OED had seemingly come to the conclusion that since they sat around all day reading about words, accruing a monstrous knowledge of vocabulary, their readers must have done the same, and therefore it was not necessary to talk down to anyone with the definition. For instance trondhjemite is defined as ‘Any leucocratic tonalite, esp. one in which the plagioclase is oligoclase’. I have my doubts as to whether anyone has ever thought to themselves ‘I wonder what trondhjemite means?’ But if someone did, and went to look it up in the OED, it seems unlikely that this definition would clear things up much.
Thursday, March 20, 2008
Callaghan, Daisey, O'Hara et al. Part of Woolly Mammoth 08-09 Season: Theater News on TheaterMania.com
Woolly Mammoth just announced their season: Sheila Callaghan, Jason Grote and I make up a huge part of it. They're doing Sheila's FEVER/DREAM, Grote's MARIA/STUART, and I'll be premiering IF YOU SEE SOMETHING SAY SOMETHING.
Callaghan, Daisey, O'Hara et al. Part of Woolly Mammoth 08-09 Season: Theater News on TheaterMania.com
I couldn't be in better company.
Callaghan, Daisey, O'Hara et al. Part of Woolly Mammoth 08-09 Season: Theater News on TheaterMania.com
I couldn't be in better company.
Psychology Today: Six Degrees: Urban Myth?
Psychology Today: Six Degrees: Urban Myth?:
Milgram's small-world experiment took this idea a step further: His subjects could reach anyone in the country, maybe anyone on the planet, through a chain averaging just a few people.
In the intervening decades, Milgram's findings have slipped away from their scientific moorings and sailed into the world of imagination. The "six degrees of separation" between any two people has been adopted by the intelligentsia, and it has turned up in the media, movies and on Web sites.
But Milgram's startling conclusion has scanty evidence. The idea of six degrees of separation may, in fact, be plain wrong—the academic equivalent of an urban myth.
Milgram's small-world experiment took this idea a step further: His subjects could reach anyone in the country, maybe anyone on the planet, through a chain averaging just a few people.
In the intervening decades, Milgram's findings have slipped away from their scientific moorings and sailed into the world of imagination. The "six degrees of separation" between any two people has been adopted by the intelligentsia, and it has turned up in the media, movies and on Web sites.
But Milgram's startling conclusion has scanty evidence. The idea of six degrees of separation may, in fact, be plain wrong—the academic equivalent of an urban myth.
A Good Name Dragged Down - washingtonpost.com
A Good Name Dragged Down - washingtonpost.com:
One man went into a Glen Burnie, Md., Toyota dealership to buy a car, only to be told that a name check revealed he was on a U.S. Treasury Department watchlist of suspected terrorists and drug dealers. He had to be "checked for tattoos," he said, to make sure he wasn't the suspect.
An 18-year-old found he could not open an account to accept credit card payments for his fledgling technology consulting business because his name was similar to that of a Libyan official on the watchlist.
A former U.S. Navy officer who served in the Persian Gulf and whose father was killed in the Korean War when he was a child, found himself locked out of his PayPal account because his name was similar to one on the watchlist.
"What do I need to do to remove my name from this list?" the officer wrote to Treasury's Office of Foreign Assets Control, which compiles the list. He signed off, "An EXTREMELY insulted veteran of the U.S. Navy."
One man went into a Glen Burnie, Md., Toyota dealership to buy a car, only to be told that a name check revealed he was on a U.S. Treasury Department watchlist of suspected terrorists and drug dealers. He had to be "checked for tattoos," he said, to make sure he wasn't the suspect.
An 18-year-old found he could not open an account to accept credit card payments for his fledgling technology consulting business because his name was similar to that of a Libyan official on the watchlist.
A former U.S. Navy officer who served in the Persian Gulf and whose father was killed in the Korean War when he was a child, found himself locked out of his PayPal account because his name was similar to one on the watchlist.
"What do I need to do to remove my name from this list?" the officer wrote to Treasury's Office of Foreign Assets Control, which compiles the list. He signed off, "An EXTREMELY insulted veteran of the U.S. Navy."
A Reporter at Large: The Lost Children: Reporting & Essays: The New Yorker
A Reporter at Large: The Lost Children: Reporting & Essays: The New Yorker:
One complication was that hundreds of children were among the immigrant detainees. Typically, kids had been sent to shelters, which allowed them to attend school, while parents were held at closed facilities. Nobody thought that it was good policy to separate parents from children—not immigration officials, not immigrant advocates, not Congress. In 2005, a report by the House Appropriations Committee expressed concern about “reports that children apprehended by D.H.S.”—the Department of Homeland Security—“even as young as nursing infants, are being separated from their parents and placed in shelters.” The committee also declared that children should not be placed in government custody unless their welfare was in question, and added that the Department of Homeland Security should “release families or use alternatives to detention” whenever possible. The report recommended a new alternative to detention known as the Intensive Supervision Appearance Program—which allows people awaiting disposition of their immigration cases to be released into the community, provided that they are closely tracked by means such as electronic monitoring bracelets, curfews, and regular contact with a caseworker. The government has since established pilot programs in twelve cities, and reports that more than ninety per cent of the people enrolled in them show up for their court dates. The immigration agency could have made a priority of putting families, especially asylum seekers, into such programs. Instead, it chose to house families in Hutto, which is owned and run by C.C.A. Families would be kept together, but it would mean they were incarcerated together.
One complication was that hundreds of children were among the immigrant detainees. Typically, kids had been sent to shelters, which allowed them to attend school, while parents were held at closed facilities. Nobody thought that it was good policy to separate parents from children—not immigration officials, not immigrant advocates, not Congress. In 2005, a report by the House Appropriations Committee expressed concern about “reports that children apprehended by D.H.S.”—the Department of Homeland Security—“even as young as nursing infants, are being separated from their parents and placed in shelters.” The committee also declared that children should not be placed in government custody unless their welfare was in question, and added that the Department of Homeland Security should “release families or use alternatives to detention” whenever possible. The report recommended a new alternative to detention known as the Intensive Supervision Appearance Program—which allows people awaiting disposition of their immigration cases to be released into the community, provided that they are closely tracked by means such as electronic monitoring bracelets, curfews, and regular contact with a caseworker. The government has since established pilot programs in twelve cities, and reports that more than ninety per cent of the people enrolled in them show up for their court dates. The immigration agency could have made a priority of putting families, especially asylum seekers, into such programs. Instead, it chose to house families in Hutto, which is owned and run by C.C.A. Families would be kept together, but it would mean they were incarcerated together.
Greg Palast » Eliot’s Mess
Greg Palast » Eliot’s Mess:
But there were rumblings that the party would soon be over. Angry regulators, burned investors and the weight of millions of homes about to be boarded up were causing the sharks to sink. Countrywide’s stock was down 50%, and Citigroup was off 38%, not pleasing to the Gulf sheiks who now control its biggest share blocks.
Then, on Wednesday of this week, the unthinkable happened. Carlyle Capital went bankrupt. Who? That’s Carlyle as in Carlyle Group. James Baker, Senior Counsel. Notable partners, former and past: George Bush, the Bin Laden family and more dictators, potentates, pirates and presidents than you can count.
The Fed had to act. Bernanke opened the vault and dumped $200 billion on the poor little suffering bankers. They got the public treasure – and got to keep the Grinning’s house. There was no ‘quid’ of a foreclosure moratorium for the ‘pro quo’ of public bailout. Not one family was saved – but not one banker was left behind.
Every mortgage sharking operation shot up in value. Mozilo’s Countrywide stock rose 17% in one day. The Citi sheiks saw their company’s stock rise $10 billion in an afternoon.
But there were rumblings that the party would soon be over. Angry regulators, burned investors and the weight of millions of homes about to be boarded up were causing the sharks to sink. Countrywide’s stock was down 50%, and Citigroup was off 38%, not pleasing to the Gulf sheiks who now control its biggest share blocks.
Then, on Wednesday of this week, the unthinkable happened. Carlyle Capital went bankrupt. Who? That’s Carlyle as in Carlyle Group. James Baker, Senior Counsel. Notable partners, former and past: George Bush, the Bin Laden family and more dictators, potentates, pirates and presidents than you can count.
The Fed had to act. Bernanke opened the vault and dumped $200 billion on the poor little suffering bankers. They got the public treasure – and got to keep the Grinning’s house. There was no ‘quid’ of a foreclosure moratorium for the ‘pro quo’ of public bailout. Not one family was saved – but not one banker was left behind.
Every mortgage sharking operation shot up in value. Mozilo’s Countrywide stock rose 17% in one day. The Citi sheiks saw their company’s stock rise $10 billion in an afternoon.
Black Guy Asks Nation For Change | The Onion - America's Finest News Source
Black Guy Asks Nation For Change | The Onion - America's Finest News Source:
CHICAGO—According to witnesses, a loud black man approached a crowd of some 4,000 strangers in downtown Chicago Tuesday and made repeated demands for change.
"The time for change is now," said the black guy, yelling at everyone within earshot for 20 straight minutes, practically begging America for change. "The need for change is stronger and more urgent than ever before. And only you—the people standing here today, and indeed all the people of this great nation—only you can deliver this change."
The black guy is oddly comfortable demanding change from people he's never even met.
It is estimated that, to date, the black man has asked every single person in the United States for change.
CHICAGO—According to witnesses, a loud black man approached a crowd of some 4,000 strangers in downtown Chicago Tuesday and made repeated demands for change.
"The time for change is now," said the black guy, yelling at everyone within earshot for 20 straight minutes, practically begging America for change. "The need for change is stronger and more urgent than ever before. And only you—the people standing here today, and indeed all the people of this great nation—only you can deliver this change."
The black guy is oddly comfortable demanding change from people he's never even met.
It is estimated that, to date, the black man has asked every single person in the United States for change.
Outrage at Cartoons Still Tests the Danes - New York Times
Outrage at Cartoons Still Tests the Danes - New York Times:
And then, while it still seemed just a Danish problem, trouble spread. A gallery in Berlin was shut because an exhibition of satirical art by a Danish group called Surrend, which has previously produced works mocking neo-Nazis, caused several angry Muslim visitors to threaten violence unless a poster depicting the Kaaba, the shrine in Mecca’s Grand Mosque, was removed.
Two years earlier, in the wake of the original cartoon imbroglio, a Berlin opera company canceled performances of Mozart’s “Idomeneo” when police warned the company that a scene with the severed head of Muhammad, among other religious figures, posed “incalculable risk” to the performers and audience. Cries of self-censorship erupted across Europe.
And then, while it still seemed just a Danish problem, trouble spread. A gallery in Berlin was shut because an exhibition of satirical art by a Danish group called Surrend, which has previously produced works mocking neo-Nazis, caused several angry Muslim visitors to threaten violence unless a poster depicting the Kaaba, the shrine in Mecca’s Grand Mosque, was removed.
Two years earlier, in the wake of the original cartoon imbroglio, a Berlin opera company canceled performances of Mozart’s “Idomeneo” when police warned the company that a scene with the severed head of Muhammad, among other religious figures, posed “incalculable risk” to the performers and audience. Cries of self-censorship erupted across Europe.
