Parabasis: Riedel on Memoirs:
What upsets me more is the groupthink on Brighton's closing, from Patrick Healy to Howard Kissel to Ken Davenport to Playgoer that somehow the show was failed by its audience because we're all starfuckers or we aren't Jewish enough or we watch too much television. It's bullshit.
The producers tried to do a big Broadway show on the cheap. They decided to do two parts of a trilogy and not open them at the same time, thus robbing the show of any sense of it being special. Then they tried to skimp on advertising. Then they only had three weeks of previews, which cut out a lot of chance to build advance word. Then they didn't have enough cash reserves to keep it open after the reviews to build an audience. And they clearly had no advance press strategy whatsoever.
That's called bad producing, folks.