What We Monologue About When We Monologue About Monologues |:
I think the comparison between a well written monologue and a well written New Yorker article is apt. There’s a certain way in which both are often constructed, esoteric observations, descriptive metaphors, digressive anecdotes, and cold information jutting off like ribs from a central narrative spine made up of the author’s personal experiences on a trip to China or following a celebrity or researching Shakespeare or investigating the spread of Dengue fever. In some sense, it’s an ethnographical approach to storytelling; by inserting themselves into the narrative and subject matter, the author’s cultural biases and personal proclivities are made evident, making space in the narrative for matters of subjectivity and cultural relativity. But what’s so beautiful about the monologue is that, unlike just about any other narrative form, is that everything – its creation, presentation, and reception – happens at the same time, in front of the audience, in the same room, united within the single figure of the monologist.