Times Square Blues | The Nation:
We enter the antiseptic, overlit warren (I say its “much smaller,” but the place is actually still pretty gigantic). Except for the clerk and one other customer, we are the only ones there. It is one of the most surreal things I’ve experienced in my life. Somehow, its survival feels like it says something about the simultaneous resilience and strangeness of the human spirit. Though I couldn’t have quite told you yet what that something was.
Once upon a time, Show World patrons visited enclosed booths where they pumped tokens into a slot to open up a partition, revealing a “LIVE NUDE GIRL,” behind glass, for precisely forty-four seconds, after which the partition closed. (This article recalls the gross old days. “You had to start out as a mop man…”) No longer. A sign, blunt, yellow, bold, reads: “To Our Patrons: Since July 26 1998 We have had NO LIVE GIRLS. Sorry for the Disappointment. Management.” In place of human beings are video screens; insert token, and the screens flash to life for that same forty-four seconds. A forty-four second YouTube video, for twenty-five cents. You can see why Show World’s commercial appeal was now limited. You can see my incredulity that this place still exists.