On Theatre and Politics - Matthew Freeman: Thoughts on this and that:
I took in one episode of Mike Daisey's All The Faces Of The Moon live, and listened to several of them via podcast. It's quite an extraordinary feat of strength. Mike is simply one of the most purely talented stage performers I've ever seen: he's just gifted. While I've only experienced the show in pieces so far, whenever I have tuned in, I've been captivated and delighted.
It's what strikes me as the great irony of whatever controversy (still?) surrounds Mike Daisey's work is that the man is a living example of what makes fiction wonderful. We're living in a world of economists and fact-checkers, when what we really need is the humanities. Connections, magical ones, images, feelings: the things that we make up, the stories we tell. Otherwise, our lives will be pieces of information. That's what I sometimes fear most: that information is replacing imagination.
On the other hand, Daisey's show was also an attempt to engage with contemporary theater audiences in the age of Netflix. It's a show that you can binge. It's a season. It rewards the casual viewer, but also rewards the dedicated fan. While I think there might have been too much to catch up with all at once (once I got behind, each show was an hour and a half podcast to take in in order to get current); it now lives on as a digital relic and so it can be taken in entirely. Plus, there's the great artwork that was inspired by the piece. Things to collect. Things to keep. A mosaic.